360 Seconds: Shotoku in the review of new products of IBC2024

360 Seconds. Broadcast News & Commentary is a weekly program on Youtube about the latest equipment for broadcasting and film. Explained by experts – practitioners directly working in the field of cinema and television.

Hosts: Philip Grossman, host and co-producer at Visionariesand Mark Sindyukov.  Production – TKT1957 LLC. Show date August 5, 2024.

Shotoku Broadcast Systems will showcase its latest advancements in robotic camera systems at IBC2024

Mark: Fantastic, and another innovation we’re hearing about today is that Shotoku Broadcast Systems will showcase its latest advancements in robotic camera systems at IBC 2024. Philip, what do you think stands out about these individual products designed by Shotoku?

Philip: The one thing I really liked about their press announcement is the way they presented their advancements without heavily relying on the term “AI”. Technically, some features in their solutions could be considered AI, but they didn’t market them as such. Many organizations use robotic systems because it’s impossible to have camera operators for every angle, especially as studios get smaller. Investing in robotic camera pedestals is a smart move for these organizations.

One of the new features is facial tracking, which they refer to as “centering”. It ensures that if someone is walking back and forth in the studio, the camera remains centered on their face. This technology is similar to what we see in devices like Apple and Android phones, but it’s great to see it integrated into a professional system.

Another feature, also falling under the realm of artificial intelligence, is a pedestal that not only keeps subjects centered left to right but also adjusts up and down, maintaining the shot’s center. This allows for more dynamic studio setups, enabling hosts to move around freely. While this might not be as common in news studios, it’s a fantastic addition for the sports market.

360 Seconds. Broadcast News & Commentary

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The first part of the review of the premieres of the autumn exhibition in Amsterdam can be seen here

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