More than 20 cameras are native high frame rate to ensure viewers at home see all of the action.
Slow-motion replay of key plays is a fixture of NFL television production, but Fox Sports is taking slow-motion to a new level Sunday for coverage of Super Bowl LVII here from State Farm Stadium.
“Every camera on the field –more than 20– will be high frame rate, and others involved in the coverage that aren’t may at times leverage the EVS-Fox Sports-developed XtraMotion cloud technology to synthesize slow-motion,” says Kevin Callahan, Vice President of Engineering and Operations at Fox Sports.
“We’re really about delivering the best quality image to the viewer at home,” he says. “So more than ever, we will be relying on high frame rate cameras.”
High Frame Rate
The broadcaster, which will shoot the Super Bowl in 1080p60 HDR (High Dynamic Range), using Hybrid Log Gamma (HLG), is deploying 94 cameras, including 44 devoted to game coverage, 18 for pregame coverage and 16 robotic cameras. Two SkyCams and 13 pylon cameras are part of the complement.
“That 1080p [60 frames per second] is going to be a much better image [than 720p or 1080i], and adding the high frame-rate on top of that should make a big difference for the viewer,” he says.
Fox Sports will upscale the 1080p60 content to 4K, as it announced previously.
Fox Sports is also using several 4K cameras on the goal line and the end line to deliver the clarity of replay to show exactly what’s going on as well as an 8K 120-frame-per-second camera at the reverse 50 yard line to “get anything that we might have somehow missed with one of our other cameras,” says Callahan.
The high SkyCams are 4K as well, giving the broadcaster the ability to zoom in and pan to get the clarity of image that’s desired.
Fox Sports will produce the Super Bowl in 5.1 Surround Sound, relying on 29 field-level microphones to capture game and player sound.
Prep and Signals
Work on the Fox Sports Super Bowl set began Jan. 13. Two days later, the broadcaster began setting up the production compound, preparing for the arrival of eight OB trucks, which at the time were deployed to cover the end of the NFL playoffs and the NFC Championship game, says Callahan.
Signal distribution and production are a mix of baseband and IP. “The game mobile unit [Game Creek’s Encore] is IP, but it’s running Evertz TS,” says Callahan. “The pregame mobile unit is running in Evertz EXE. It is a SMPTE ST 2110 mobile unit. Our compound distribution system is all 2110.
“We are able to distribute to our international partners and everybody using that 2110 distribution system. However, to play it safe, we are using SDI as a firewall. We are running 2110 out to a location and then installing a gateway to convert to SDI. When it comes to doing something like a Super Bowl, right now, that’s still considered best practice.”
While acknowledging that it would be great to eliminate all of the coax cable needed to transport SDI signals, “security has to be No. 1,” and SDI as a firewall is “really important,” he says.
Complementing the OB trucks is a pair of ST 2110-based flypacks Fox Sports built and debuted for coverage of the World Cup in Doha, Qatar. In addition to distributing ST 2110 signals around the compound, they are being used to support Fox News and Fox Deportes on site, says Callahan.
CES Power is responsible for powering the compound. “All important services are UPS so we have multiple power sources feeding into them and then battery backup,” he says.
It will be possible to talk about the technical equipment of the broadcast of the game on February 22 at the Visionaries Online Round Table «Broadcasting 2023. Super Bowl LVII: The new trends».
FEBRUARY 22, 2023
6 P.M. ET
