Equipson Launches Integra Series: Advanced DSP Matrix for Pro Audio Installations.
Details in the weekly program “360 Seconds. Broadcast News & Commentary”.
Hosts: Philip Grossman, host and co-producer at Visionaries; Mary Ann Seidler, owner of First Light Media and consultant for multiCAM Systems and Telos Alliance; and Maria Kholodova.
Production – TKT1957 LLC.
Maria: Equipson introduces the Integra Series, an advanced digital signal processing matrix from its WORK PRO brand, designed for professional audio installations. The series, suitable for various settings, features per-channel DSP architecture, multiple input/output configurations, and user-friendly software for enhanced audio control.
Equipson Unveils Integra Series: Advanced DSP Matrix for Professional Audio Installations
So Mary, can you talk to us about this one?
Mary: Ah, yes. This solves so many problems.
Number one, it allows for individual control over every single channel. Now, for example, if you’ve got someone on mic one who really mumbles a lot, you can control that without affecting the other audio. If you listen to a lot of programs right now on our different streaming services, you’ll probably find that you’re adjusting the volume control all the time, and this type of device would help solve that problem.
I’d love it if they just sent us one to play around with
Also, I was quite impressed because it’s got gain and compression on each individual input and output. I’d be curious to try it out. I’d love it if they just sent us one to play around with. It also has compression on each output as well and, just to make everyone happy, it also has enabled Dante, which solves so many problems with AES67. It also has an app so that you could control things by a mobile device, which again makes things easier. So, I can see a tremendous number of installations for which this could be used. Well done, guys!
Philip: Yeah, I have a question about this because I’m not an audio person, but do you consistently adjust things like that throughout a broadcast, or is it something that’s typically set up at the beginning with your levels and whatever else you need, and then it’s good to go?
Mary: You would set up the levels, but then you’d be constantly monitoring them. And certainly, in post-production, you should be able to make some adjustments. Right now, I just finished watching some things where you almost couldn’t watch it because the audio levels were just so all over the place, and something like this solves that.
Maria: Many thanks to our experts – Philip and Mary! And don’t forget to comment on the news we’ve discussed. See you next Monday at the same time!
Production – TKT1957 LLC.
Broadcast on January 22 2024.
Media Partner – Cine Gear Expo.
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