Nixer Pro Audio’s Compact Marvel: The RLC64

image credit: Nixer Pro Audio’s Compact

Nixer Pro Audio has raised the bar in the AoIP (Audio-over-IP) monitoring domain with its recent launch of the RLC64. This compact variant of the acclaimed RL64 AoIP monitoring and mixing engine is particularly advantageous for broadcasters navigating the transition to IP infrastructures. Especially suited for Outside Broadcast (OB) and live productions, the RLC64’s dual-functionality as a confidence monitor and audio mixing engine makes it an invaluable addition.

Features and Specifications

  • Compact Design: Its 1U form factor and 120mm depth make it ideal for space-constrained setups in IP-based OB vehicles and flypack installations.
  • Dual-Functionality: Functions as a confidence monitor and audio mixing engine, providing high-quality monitoring and extensive mix facilities.
  • Compatibility: Operates across Dante and Ravenna IP-based networks with two model options available – RLC64 Dante AES67 and RLC64 Ravenna AES67/ST2110.
  • NMOS Compliance: The RLC64 Ravenna is NMOS IS-04 and IS-05 compliant, allowing for device discovery and connection management.
  • Advanced Mixing Capabilities: Ability to create a mix of up to 67 input sources, accommodating advanced broadcast workflows.
  • Firmware updates can be implemented on the go through a dedicated USB micro-AB connector on the front panel.

Exploring the Alternatives

To gauge the true caliber of the RLC64, let’s take a glance at some alternative solutions in the market.

  • Ward-Beck Systems’ PreMO-222
image credit: Ward-beck

The PreMO-222 from Ward-Beck Systems is a dual-channel AES67 networked mic preamp with PoE capability. Like the RLC64, it supports AoIP. However, it does not offer the same extensive mixing capabilities or the large LCD screen found on the RLC64.

  • Focusrite’s RedNet Series

The RedNet series from Focusrite is known for its AoIP interfaces. While the RedNet series offers a range of products with extensive connectivity options, they mainly serve as audio interfaces rather than combining the monitoring and mixing functionalities found in the RLC64.

image credit: RedNet
  • DirectOut’s MONTONE.42

MONTONE.42 by DirectOut is an MADI/RAVENNA/AES67 converter. While it is a reliable option for AoIP conversion, it lacks the monitoring capabilities and the intuitive touch screen interface of the RLC64.

image credit: Montone

The Verdict

The RLC64 by Nixer Pro Audio stands out for its compact form factor, extensive mixing capabilities, intuitive touch screen interface, and compatibility with both Dante and Ravenna networks. It is ideal for broadcasters seeking an efficient and reliable solution for monitoring and mixing in OB vehicles and live production environments. Although there are alternatives in the market like Ward-Beck Systems’ PreMO-222, Focusrite’s RedNet series, and DirectOut’s MONTONE.42, none combine the monitoring and mixing functionalities as seamlessly as the RLC64 does.

Nixer Pro Audio

PreMO-222 from Ward-Beck

RedNet series from Focusrite

MONTONE.42 by DirectOut

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