Designed to meet the needs of video workflows, SIGMA continues to push the boundaries of lens technology and is currently developing a new cine prototype based on this design. This prototype will mark SIGMA’s first auto-focus cine lens, representing a significant step forward in their product lineup. It is important to note that no official images of the new cine lens have been released yet.

SIGMA’s History of Innovation

SIGMA has a well-established reputation for creating groundbreaking lenses. Over a decade ago, the Japanese manufacturer adopted the “Global Vision” strategy, transitioning from producing budget-friendly lenses to high-end, uncompromising lenses known as the SIGMA Art series. The Art series primarily features fast aperture prime lenses, but it also includes notable zoom lenses like the new 28-45mm f/1.8 DG DN.

The Era of Ultra-Fast Zoom Lenses

The first significant zoom lens in the Art series was the SIGMA 18-35mm f/1.8 DC HSM Art lens, announced in 2013 for APS-C sensor DSLRs. This lens quickly gained popularity among videographers and photographers for its ability to provide a shallow depth of field previously unavailable to APS-C users. The f/1.8 aperture significantly improved image quality by enhancing light-gathering capabilities.

Since then, the segment of ultra-fast zoom lenses has grown in popularity. SIGMA expanded its lineup with lenses like the 50-100mm f/1.8, a telephoto companion to the 18-35mm, and the full-frame 24-35mm f/2, which was the fastest full-frame zoom lens at the time of its release. Canon, Panasonic, and Tamron have also introduced their versions of ultra-fast zoom lenses, contributing to the competitive landscape. The 28-45mm f/1.8 DG DN continues this trend, offering a full-frame alternative with a shallower depth of field and enhanced light-gathering capabilities, albeit facing stiff competition.

Hybrid vs. Cine Gear

The term “hybrid gear” refers to equipment designed for still photography but also used for video production. In recent years, manufacturers have increasingly focused on incorporating video workflow features into stills-oriented gear. In the optics segment, this includes adaptations such as de-clickable aperture rings, linear focus, and reduced focus breathing. While the SIGMA 28-45mm f/1.8 DG DN includes many of these features, it still lacks some crucial adaptations necessary for filmmaking.